Keith Urban is a country music artist who does a great job in the genre. This artist has a ton of huge hits out here, but here you will find 10 of his top hits of all time.
Keith is an Australian country music singer that has taken over America. His first album in the USA came out in 1999.
Here are Keith's top 10 songs. The song 'Cop Car' was a recent hit for Keith.
It is all about a nontraditional way for finding love in the back seat of a cop car. These two, 'fell in love in the back of a cop car.' This song earned Keith his first Grammy. Everyone has been through a bad break up where they can remember feeling this way. This song is one that has helped people make it through a bit split.
This song hit No. 1 for Keith and it is easy to see why. It is from 2002, but is one you will still hear on the radio and want to sing along to every time it is on. Keith Urban found the perfect song about getting back together with an ex and not knowing what is going to happen. He does know that she is 'looking good in his shirt.' He originally recorded this song in 2003, but then he put it on his greatest hits in 2008 and that is when fans fell in love with it.
This is one of Keith's recent hits. It is all about how life is short and you should live it to your fullest. Everyone should think about that once in a while. Keith got lucky with this one.
Radney Foster originally wrote it and sang it, but then he let Keith record it. This is about the kind of Sunday everyone loves to have once in a while with their loved one. This is from his album, 'Defying Gravity.' This song was his 10th number one hit so it has to hold a special place in Keith's heart.
Keith proves how great he is on a guitar on this one. This is one of Keith's best songs ever. It was originally done by Sarah Buxton because she wrote it with Dave Berg and Deanna Bryant. Keith was given a chance to record it and gave it new life.
Keith actually co-wrote this song and it was able to crossover into pop music. It is a song that has fans ready to get up out of their chairs and dance when they hear it. This song shows off Keith's guitar skills once again. This song hit No.1 for Keith and was his first song of three in a row to hit No. 1 on the country charts. This was a huge hit for him in 2003 and 2004.
Jagger, left, with Richards 1972 The songwriting partnership of and, known as Jagger/Richards (and occasionally Richards/Jagger), is a musical collaboration whose output has produced the majority of the catalogue of. It is one of the most successful songwriting partnerships in history.
Jagger and Richards adopted the nickname 'The Glimmer Twins' after a vacation cruise they took to Brazil in December 1968/January 1969 with their then-girlfriends, and. An older English couple on the ship kept asking Richards and Jagger who they were. When they refused to reveal their identities, the woman reportedly kept asking, 'just give us a glimmer' (as in 'give us a hint about who you are'), which amused Jagger and Richards.
In addition to Jagger and Richards's songwriting partnership, they have also or co-produced numerous Rolling Stones albums under the The Glimmer Twins, after that experience together. Jagger (front) and Richards (rear, with guitar) performing with The Rolling Stones on their in Boston, Massachusetts. 12 June 2013 Jagger and Richards have different recollections about their first songwriting endeavours but both credit manager as the catalyst for their collaboration. Richards agrees that it was Oldham who pressed the pair to write songs after the duo had first emphasized other people's material; Oldham noted that there weren't that many obscure great songs out there for the band to.
According to him: “ So what Andrew Oldham did was lock us up in the kitchen for a night and say, 'Don't come out without a song.' We sat around and came up with '. It was unlike most Rolling Stones material, but that's what happens when you write songs, you immediately fly to some other realm.
The weird thing is that Andrew found at the same time, bunged it to her and it was a fuckin' hit for her – we were songwriters already! But it took the rest of that year to dare to write anything for the Stones. ” Jagger's version is: “ Keith likes to tell the story about the kitchen, God bless him. I think Andrew may have said something at some point along the lines of 'I should lock you in a room until you've written a song' and in that way he did mentally lock us in a room, but he didn't literally lock us in.
One of the first songs we came out with was that tune for George Bean, the very memorable 'It Should Be You'. ” According to, he and might have been instrumental in inspiring Jagger and Richards to start writing their own material. In 1963 Lennon and McCartney gave the Stones one of their compositions, '.' In a interview in 1980, Lennon recalled: “ We were taken down to meet them at the club where they were playing in Richmond by and some other guy. They wanted a song and we went to see what kind of stuff they did. Mick and Keith heard we had an unfinished song – Paul just had this bit and we needed another verse or something. We sort of played it roughly to them and they said, 'Yeah, OK, that's our style.'
But it was only really a lick, so Paul and I went off in the corner of the room and finished the song off while they were all still sitting there talking. We came back, and that's how Mick and Keith got inspired to write. Because, 'Jesus, look at that. They just went in the corner and wrote it and came back!' You know, right in front of their eyes we did it. So we gave it to them.
” The first original Jagger/Richards song to be released as the of a Rolling Stones single was ', from their debut album. Released as a single in the US only, peaked at number 24 on the charts there. The earlier 'Good Times, Bad Times' had been released as the to their cover of and Shirley Womack's '. The band's first UK single featuring an a-side Jagger/Richards original was '; released in February 1965, it went to number 1 in the UK and number 9 in the US. Although most Jagger/Richards compositions have been collaborations, some of the songs credited to the famous partnership have been solo songwriting from either Jagger, whose examples include ' and ', or Richards, whose examples include ', ', and '. This is comparable to the partnership, who also adhered to a tradition of joint credits even on numbers that were written by just one of the pair.
As Mick Jagger stated in his comprehensive 1995 interview with of magazine, 'I think in the end it all balances out.' On 26 June 2013, the duo's songwriting credits were handed over to, marking the first time they would be managed by an outside company in over 40 years. Co-credits Jagger and Richards have shared credits with very few others. Among them are: Co-Writer Song Notes ' ' ' Stones guitarist from 1969–1974. Taylor has stated that he left the Rolling Stones partly because he was not given co-writing credits on material he felt he should have received credit, including ' and ',' which he wrote with Jagger in Richards' absence. 1)', 'If I Was A Dancer (Dance Pt. 2)', 'Everything Is Turning to Gold', ', 'No Use in Crying', 'Pretty Beat Up', ', 'Fight', 'Dirty Work', 'Had It With You' and 'When You're Gone' Rolling Stones guitarist since 1976.
He is credited as 'Inspiration by Ronnie Wood' on ' and ' Preston is credited as 'Inspiration by Billy Preston' 'Back to Zero' Leavell has performed as a with the Rolling Stones since 1982 ' 'One more shot' (new song on the GRRR! Album) Jordan, a popular and has appeared with the Rolling Stones solo projects, perhaps most visible as a member of the or that of. And ' Lang and Mink were not involved with the composition of 'Anybody Seen My Baby?'
Keith Urban Greatest Hits Youtube
; they were given co-writing credits when prior to the song's release, one of Keith Richards' daughters pointed out a similarity to ', a hit from Lang's 1992 album. Pierre de Beauport 'Thief in the Night' Richards' guitar technician, and also a recording engineer who co-mixed that song. Jagger/Richards compositions released only by other artists Jagger/Richards compositions that have been released only by artists other than include:. 'That Girl Belongs to Yesterday', a January 1964 single by. 'Will You Be My Lover Tonight'/'It Should Be You', a January 1964 single by George Bean.
'Each And Every Day', B-side of the February 1964 single 'All I Want Is My Baby' by ( 45-9730). The A-side was co-written by Richards and. 'Shang a Doo Lang', a March 1964 single by. 'So Much in Love', an August 1964 single by, also recorded by (with and ) in 1966 and for their self-titled 1996 album. 'Act Together', on 's September 1974 LP and the associated July 1974 concert (released in October 2007).
'Sure the One You Need', on Wood's I've Got My Own Album to Do and The First Barbarians: Live from Kilburn; and on ' May 1979 concert album (released in October 2006). 'Lonely at the Top', on Mick Jagger's February 1985 LP.
List of Rolling Stones singles credited to Jagger/Richards These are the Jagger/Richards songs that have been released as Rolling Stones singles (both ), and promos, as credited to Jagger/Richards. Blake, John (1985).
His Satanic Majesty: Mick Jagger. New York: Holt. Video of Chess Records and Chicago Blues History Fair Documentary. Retrieved 17 May 2010. McPherson, Ian. Retrieved 2008-02-25. Jagger, Mick; Richards, Keith; Watts, Charlie; Wood, Ronnie (2003).
According to the Rolling Stones. Chronicle Books. Sheff, David. Retrieved 2012-02-15. Elliott, Martin (2002). The Rolling Stones: Complete Recording Sessions 1962–2002. Cherry Red Books.
Wenner, Jann (14 December 1995). 'Jagger Remembers: The Rolling Stone Interview'. Rolling Stone (723).
Sweney, Mark (26 June 2013). Retrieved 26 June 2013. James, Gary. Retrieved 2008-02-21.
Graham, Bob (13 September 2009). Retrieved 2009-09-13.
Zentgraf, Nico. Retrieved 2008-02-19. released as a benefit single to aid victims of. actually a Jagger/Wood or Jagger/Richards/Wood composition, but attributed to Jagger/Richards – see According to the Rolling Stones (Jagger, Richards, Watts and Wood 2003, pp. 162–164). Blake, John.
His Satanic Majesty: Mick Jagger. New York: Holt, 1985. External links.